AVUSTRALYA ATEŞİ 2020 “Avustralya'nın büyük bir ateşi var ve aylarca yanacağını söylüyorlar. Avustralya'da yaşayan Asgardia vatandaşları için ne yapıyorsunuz? ”Onlar için ne gibi önlemler aldınız? Dünyadaki Asgardia vatandaşlarımıza açıklama yapma zamanı gelmedi mi? K.E.D. “Australia has a fire fire and they say it will burn for months. What do you do for Asgardia citizens living in Australia? What measures have you taken for them? Isn't it time to explain to our Asgardia citizens around the world? K.E.D.

“Avustralya'nın büyük bir ateşi var ve aylarca yanacağını söylüyorlar. Avustralya'da yaşayan Asgardia vatandaşları için ne yapıyorsunuz? ”Onlar için ne gibi önlemler aldınız? Dünyadaki Asgardia vatandaşlarımıza açıklama yapma zamanı gelmedi mi? K.E.D. “Australia has a fire fire and they say it will burn for months. What do you do for Asgardia citizens living in Australia? What measures have you taken for them? Isn't it time to explain to our Asgardia citizens around the world? K.E.D.

Why we do not have an application? IOS ? Android ? WHYYYYYYYY

فرم راندوو اقامت ترکیه (‌ثبت نام اقامت ترکیه) موضوعیست که هر خارجی برای اقامت خود با آن مواجه خواهد شد. شهروندان ایرانی که قصد دارند بیش از 3 ماه در ترکیه اقامت کنند بایستی اقامت ترکیه را گرفته باشند. همانطور که در مطلب مربوط به اقامت ترکیه توضیح دادیم یکی از این نوع اقامتها، اقامت کوتاه مدت توریستی میباشد. https://orkideh.net/1398/08/23/randevu/

Saturn now has 82 moons, knocking Jupiter down to second place in the moon count. Fifty-three moons are confirmed and named and another 29 moons are awaiting confirmation of discovery and official naming. Saturn's moons range in size from larger than the planet Mercury — the giant moon Titan — to as small as a sports arena. One of the new moons has the farthest known orbit around Saturn, and all are similar in size, with diameters around three miles (5 kilometers). Two of the moons take about two years to orbit, while the other 18 take more than three years to do so.

How ‘Parasite’ Director Bong Joon Ho Created the Year’s Most Dangerously Charming Film.. Bong Joon Ho didn’t know what was going to happen in “Parasite,” either. Long before his darkly comic, deliciously twisted look at class divisions thrilled audiences and critics in Cannes and beyond, before the bends in its genre-hopping narrative befuddled and delighted adventurous moviegoers, the writer-director himself wondered where the hell this story was going. “I let this idea develop for around four years in my head, since 2013,” Bong said. “But the second half of the film, all of that came in the last three months of my screenwriting process. The idea of a poor family infiltrating a rich house one by one was there since 2013, but I had many versions of the ending, and I didn’t know what was going to happen. “It all came flooding out in the last three months, like I was yanking a potato out of the earth. It was a very exciting feeling.” Before that, he added with a laugh, he did know that the film wouldn’t have a conventional conclusion. “I had a feeling that it would become a very strange story,” he said. “I knew it would not be a normal ending.”

Hi everybody. My last post was long time ago. But im back :) How are you? — Herkese merhabalar. Son yazım uzun zaman önceydi ama geri döndüm :) Nasılsınız?

“2001 meets Apocalypse Now” may be the preferred pitch for this self-consciously philosophical science-fiction adventure from James Gray, writer-director of such varied fare as The Yards, Two Lovers and The Lost City of Z, but “Event Horizon with interstellar overdrive” is perhaps a more accurate description. In Paul WS Anderson’s British-made 1997 potboiler Event Horizon, a spaceship powered by a black hole disappeared on its maiden voyage to the stars, popping up years later near Neptune, having apparently gone to hell and back. In Ad Astra, it’s the ghost of the “Lima project” that haunts Neptune’s rings, after vanishing with its cataclysmic antimatter drive decades ago. This time it’s Brad Pitt rather than Joely Richardson, Jason Isaacs or Laurence Fishburne (a veteran of Apocalypse Now) on the trail of the cosmic mystery, but the essential thematic coordinates are the same – a trip into deep space in search of a lost expedition that had gazed too long into the abyss. The result is an A-list B-movie that juggles moments of breath-taking visual splendour with much on-the-nose speechifying about sins of the fathers and eternal isolation, spiced up with some action-packed silliness that entirely undercuts its more po-faced pretensions. Just as the makers of Alien looked to Joseph Conrad when naming their spaceships Nostromo and Narcissus, so Gray and co-writer Ethan Gross use Marlow and Kurtz from Heart of Darkness as models for astronaut Roy McBride (Pitt) and his pioneering father Clifford (Tommy Lee Jones). As leader of the Lima project, Cliff “went further than any of us”, travelling to the outskirts of the solar system before going off-grid – physically, morally, theologically. Now Roy (whose “What did he find out there?” narration might as well have been read by Martin Sheen) must follow Dad’s path into the void. Will Roy be able to find the source of the electrical “surges” that are threatening life on Earth? Or will he simply come face to face with “the horror, the horror… ”? From its vertiginous opening sequence, in which the “steady, calm” Roy (whose pulse doesn’t break 80bpm) is knocked from a terrifyingly tall transmitter tower, Gray and Interstellar cinematographer Hoyte van Hoytema demonstrate their mastery of experiential film-making. Shot with widescreen majesty on 35mm, Ad Astra combines sinewy, space-bound sequences – all floating elegance and weightless wonder – with moments of shimmery inner stillness, reminiscent of Soderbergh’s undervalued Solaris remake. There are echoes of Gravity, too, as characters find themselves whirling kinetically in the disorienting emptiness of space. And then there’s the trailer-teased encounter with a space-bound “rhesus primate” – a WTF!? episode that bizarrely reminded me that 2001’s visionary effects wiz Douglas Trumbull inherited the movie bug from his father, who rigged those freaky flying monkeys in The Wizard of Oz. We may be in “serious” sci-fi territory, Toto, but we can still see Kansas from here...

İstanbul Barosu dergisinde yayınlanan makaleme aşağıdaki bağlantı ile erişebilirsiniz. You can reach my article published in the Journal of Istanbul Bar Association with the link below. https://www.istanbulbarosu.org.tr/files/yayinlar/dergi/doc/ibd20195.pdf

Merhaba, (Turkish) Asgardia bizim yeni yuvamız olacak. Bu şimdilik mümkün görünmese bile, ileride insanlık için ihtiyaç duyulacak çok önemli bir konu. En azından ben böyle düşünüyorum. Ekonomik durumun, uzayda yörüngeye yerleştirilecek olan pahalı oyuncakları tedarik etmeye imkan tanımaması sizi yıldırmasın. Sonuçta gelecekte bir gün uzaya ilgisi olan herkesin geleceği bir noktadır bu merkez düşünce. Benzer şekilde düşünüyorsak arkadaş ekleyin, dil ve ırk ayrımı yapmaksızın benim yeni insan arkadaşlarım olun. Gelecekte görüşmek üzere. :)